Frank Horvat: Please Don’t Smile
Elegance, dynamics and perfection characterise the photography of Frank Horvat (1928-2020). With his unique visual language, he is considered one of the most important photographers of the 20th century. Above all, it was his innovative fashion pictures that made him a trend-setter. A selection of thirty motifs – taken from the fifties to the seventies – will be presented in Wetzlar from 3rd February until 14 June 2023 and provides convincing insight into the work of the Leica photographer.
His first fashion picture was published at the beginning of the fifties, and the following decades would see the further development and refinement of his inimitable style. Like few others, Horvat managed, early on, to incorporate instances of reportage photography within the context of staged fashion imagery. “Without stories to tell, fashion would never have really interested me,” the photographer admitted frankly, during a retrospective of his work. The models he photographed were not simply motionless statues presenting luxurious outfits; he preferred to expand their repertoire with dynamic poses, drawing fashion into life-like reality. His experiences as a photojournalist were decisive for his unusual style, which stirred up the rather conventional fashion photography of the time. In line with the motto of Alexey Brodovitch, the legendary Art Director of Harper's Bazaar, Horvat wanted to surprise: to do so, he took his models out onto the streets of Paris, into the metro, to the race track, and onto the rooftops. This resulted in motifs that continue to delight us to this day. They are also often reminiscent of film stills, as his multifaceted cultural interests also had a cinematic focus.
Frank Horvat: Shoes and Eiffel Tower, for Stern, Paris 1974 | © Frank Horvat/Leica Gallery Wetzlar 2023
Another aspect of his fashion photography was the decision, made early in his career, to work with 35mm. Initially, Horvat’s style of working with a Leica and taking the models out onto the streets was not easy to implement for the editorial offices of the magazines. However, the resulting quality of his unusual picture series quickly earned him acclaim, commissioned assignments, and international appreciation.
“Please don’t smile” was an expression the photographer used frequently during his photo shoots. He was not interested in artificial smiles. Yet, when he plays with perspectives, or questions the roles and relationships of the women and men in his pictures, many viewers do indeed smile!
Frank Horvat was born on 28th April 1928, in the formally Italian town of Abbazia (today Opatija, Croatia). Racial persecution led the family to flee to Switzerland in 1939. Initially, the fact that he was to cause a sensation as a fashion photographer was not apparent from his professional biography. Though he was enthusiastic about photography as a youngster, he actually wanted to be a writer. He first studied at the Art Academy in Milan, and worked in an advertising agency, before discovering and teaching himself reportage photography. A short while later, he was introduced to Leica by Henri Cartier-Bresson. After a year in London, Horvat moved to Paris in 1955, where he lived until the end of his life. Until the eighties, fashion and commercial photography remained his main areas of activity, after which, personal and free series gained importance. He experimented well into his old age, used digital technology, and re-interpreted his early work. Numerous photo books offer proof of the photographer's apparently endless creativity. Frank Horvat passed away in Paris, on 21st October 2020.
03. Feb 2023 - 14. Jun 2023
Alberto Venzago: Stylist of Reality
In more than five decades, photographer and filmmaker Alberto Venzago has captured various themes. Around 150 motifs provide an insight into the most important stages of his life's work: from the voodoo cult and the yakuza to celebrity portraits and a selection of film footage.
Lena Stahl: My Son – Behind the Scenes of a Roadmovie
German director Lena Stahl is a multi-talent: she not only wrote the screenplay and directed her feature film My Son but also documented the production with a Leica M10. We will be presenting a good 40 of these shots at the Leica Galerie Wetzlar from 31 March to 14 June.